Usta sanat\u00e7\u0131 \u0130smail Hakk\u0131 Man\u00e7o ile T\u00fcrk m\u00fczi\u011fi sanatkarlar\u0131ndan Rikkat Uyan\u0131k \u00e7iftinin \u00e7ocuklar\u0131 olarak 2 Ocak 1943’te \u00dcsk\u00fcdar’da d\u00fcnyaya geldi.<\/p>\n
Man\u00e7o ailesi birinci \u00e7ocuklar\u0131na “Sava\u015f” ismini verirken, \u0130kinci D\u00fcnya Sava\u015f\u0131’n\u0131n son g\u00fcnlerinde do\u011fan ikinci \u00e7ocuklar\u0131na ise “Mehmet Bar\u0131\u015f” ismini vermeyi uygun buldu. Man\u00e7o’nun daha sonra Oktay ve \u0130nci ismini ta\u015f\u0131yan iki karde\u015fi daha oldu. Anne ve babas\u0131 3 ya\u015f\u0131ndayken ayr\u0131lan Bar\u0131\u015f Man\u00e7o, \u00e7ocuklu\u011funu babas\u0131n\u0131n yan\u0131nda ge\u00e7irdi.<\/p>\n
Kad\u0131k\u00f6y Gazi Mustafa Kemal Pa\u015fa \u0130lkokulu’nda ba\u015flad\u0131\u011f\u0131 e\u011fitimine Galatasaray Lisesi’nde devam eden usta sanat\u00e7\u0131, babas\u0131n\u0131n vefat\u0131n\u0131n akabinde Galatasaray’dan ayr\u0131ld\u0131 ve e\u011fitimini \u015ei\u015fli Terakki Lisesi’nde tamamlad\u0131.<\/p>\n
“Bu d\u00fcnyaya m\u00fczik\u00e7i olarak gelmedim”<\/b><\/p>\n
Man\u00e7o, birinci k\u00fcmesini 1958’de Galatasaray Lisesi’nde okurken “Bar\u0131\u015f Man\u00e7o ve Kafadarlar” ismiyle kurdu ve birinci bestesini “Dream Girl” ismiyle \u00e7\u0131kard\u0131. \u00dcnl\u00fc sanat\u00e7\u0131, m\u00fczik hayat\u0131ndaki birinci konserini tekrar Galatasaray Lisesi’nin konferans salonunda verdi.<\/p>\n
“Harmoniler” k\u00fcmesiyle 1962’de birinci 45’lik pla\u011f\u0131n\u0131 \u00e7\u0131karan Man\u00e7o, \u015fimdi 19 ya\u015f\u0131ndayken yay\u0131mlad\u0131\u011f\u0131 bu alb\u00fcmde, \u0130ngilizce kelaml\u0131 “Twist in USA” ve “The Jet” isimli iki kesime imza att\u0131.<\/p>\n
Usta sanat\u00e7\u0131, bu alb\u00fcm\u00fcn akabinde bir y\u0131l sonra Bel\u00e7ika’da bulunan a\u011fabeyi Sava\u015f Man\u00e7o’nun yan\u0131na giderek, Bel\u00e7ika Ho\u015f Sanatlar Akademisine kaydoldu. Bu okulda foto\u011fraf, grafik, desen ve i\u00e7 mimari okuyan Man\u00e7o, bir taraftan da gece bek\u00e7ili\u011fi ve garsonluk \u00fczere i\u015flerde \u00e7al\u0131\u015ft\u0131.<\/p>\n
M\u00fczikle ba\u011f\u0131n\u0131 koparmayan Bar\u0131\u015f Man\u00e7o, bir r\u00f6portaj\u0131nda kendisini \u015f\u00f6yle tan\u0131ml\u0131yordu:<\/p>\n
“Bar\u0131\u015f Man\u00e7o m\u00fczik s\u00f6yler, ikincisi \u00e7ocuk program\u0131 yapar, \u00fc\u00e7\u00fcnc\u00fcs\u00fc d\u00fcnyay\u0131 gezer. Bu toplum beni m\u00fczik s\u00f6ylerken tan\u0131d\u0131 ve \u00e7ocuklarla ilgilenirken bir daha tan\u0131d\u0131 ve bu ortada d\u00fcnyay\u0131 dola\u015f\u0131p \u00f6teki insanlar\u0131 anlatan ki\u015fi olarak tan\u0131d\u0131. Ben bu d\u00fcnyaya m\u00fczik\u00e7i olarak gelmedim. Benim birinci i\u015fim bu de\u011fil. Ben fikirlerimi bu d\u00fcnyaya aktarmak i\u00e7in geldi\u011fime inan\u0131yorum. Bu niyetler bazen m\u00fczik e\u015fli\u011finde daha ho\u015f, daha ho\u015f, daha be\u011fenilen alg\u0131lan\u0131yor. Onun i\u00e7in bana verilen bu nimeti kulland\u0131m.”<\/p>\n
Yabanc\u0131 m\u00fczisyenlerden olu\u015fan “Vah\u015fi Kediler” k\u00fcmesiyle da bir m\u00fchlet \u00e7al\u0131\u015fan Man\u00e7o, 1964’te doldurdu\u011fu biri \u0130ngilizce, ikisi Frans\u0131zca \u00fc\u00e7 \u015fark\u0131l\u0131k 45’li\u011fi Fransa’da yay\u0131nland\u0131. 12 Ocak 1965’te Paris Olympia Konseri’ni veren sanat\u00e7\u0131, Mazhar Alanson ve Fuat G\u00fcner’in \u00f6nc\u00fcl\u00fc\u011f\u00fcndeki “Kayg\u0131s\u0131zlar” k\u00fcmesiyle 1967’de “Kol D\u00fc\u011fmeleri”ni \u00e7\u0131kard\u0131.<\/p>\n
“Da\u011flar Da\u011flar” pla\u011f\u0131 mesle\u011finde d\u00f6n\u00fcm noktas\u0131 oldu<\/b><\/p>\n
D\u00f6nemin aranjman modas\u0131na reaksiyon g\u00f6steren Bar\u0131\u015f Man\u00e7o, “K\u0131z\u0131lc\u0131klar Oldu mu?”, “Derule”, “Kirpiklerin Ok Ok Eyle” \u00fczere t\u00fcrk\u00fcleri rock’n roll ve twist \u015fekillerinde seslendirdi. “Sychedelic” m\u00fczik ak\u0131m\u0131ndan da etkilenen k\u00fcme, “A\u011flama De\u011fmez Hayat” m\u00fczi\u011fiyle muvaffakiyet yakalad\u0131.<\/p>\n
“Alt\u0131n Plak” m\u00fckafat\u0131 kazanan bu alb\u00fcm\u00fcn akabinde Bar\u0131\u015f Man\u00e7o ve Kayg\u0131s\u0131zlar, Fransa’ya gitti. Burada plak \u00e7al\u0131\u015fmas\u0131 yap\u0131lsa da alb\u00fcm uzun m\u00fchlet piyasaya s\u00fcr\u00fclmedi ve Kayg\u0131s\u0131zlar ile yollar\u0131n\u0131 ay\u0131ran Bar\u0131\u015f Man\u00e7o, 1970’te yurda d\u00f6nd\u00fc.<\/p>\n
Sanat\u00e7\u0131n\u0131n 1970’de besteledi\u011fi “Da\u011flar Da\u011flar” pla\u011f\u0131 mesle\u011finde adeta d\u00f6n\u00fcm noktas\u0131 oldu ve Man\u00e7o’ya mesle\u011findeki tek Platin Plak \u00d6d\u00fcl\u00fc’n\u00fc kazand\u0131rd\u0131. Devrin \u00fcnl\u00fc m\u00fczisyenlerinden C\u00fcneyd Orhon’un da e\u015flik etti\u011fi plak, k\u0131sa m\u00fcddette 700 bin satt\u0131.<\/p>\n
D\u00f6nemin \u00fcnl\u00fc m\u00fczik k\u00fcmelerinden “Mo\u011follar” ile de bir m\u00fcddet \u00e7al\u0131\u015fan Bar\u0131\u015f Man\u00e7o’nun, Anadolu turnesi s\u0131ras\u0131nda otob\u00fcs\u00fc dinamitli h\u00fccuma u\u011frad\u0131. Man\u00e7o’nun sa\u00e7lar\u0131n\u0131n uzun olmas\u0131 hasebiyle ger\u00e7ekle\u015ftirildi\u011fi \u00f6ne s\u00fcr\u00fclen h\u00fccumda sanatkarlar yara almad\u0131. Antalya’da ise m\u00fczisyenlerden birinin yabanc\u0131 as\u0131ll\u0131 olmas\u0131 nedeniyle g\u00f6zalt\u0131na al\u0131nan Bar\u0131\u015f Man\u00e7o, birinci duru\u015fmada \u00f6zg\u00fcr kald\u0131.<\/p>\n
1976’da birinci \u0130ngilizce alb\u00fcm\u00fcn\u00fc yay\u0131nlad\u0131<\/b><\/p>\n
Bar\u0131\u015f Man\u00e7o daha sonra Mo\u011follar’la yollar\u0131 ay\u0131r\u0131p “Kurtalan Ekspres”i kurdu. \u0130smini \u0130stanbul’dan G\u00fcneydo\u011fu’ya giden trenden alan Kurtalan Ekspres’in o y\u0131llardaki tak\u0131m\u0131nda Murat Ses, Par\u0131lt\u0131 Moray, Celal \u0130timat, \u00d6zkan U\u011fur ve Engin Y\u00f6r\u00fcko\u011flu \u00fczere m\u00fczisyenler vard\u0131. K\u00fcmede ayr\u0131l\u0131klar ya\u015fan\u0131rken Kurtalan Ekspres’e Man\u00e7o’nun uzun y\u0131llar birlikte \u00e7al\u0131\u015faca\u011f\u0131 Ahmet G\u00fcven\u00e7 ve Bahad\u0131r Akkuzu dahil oldu.<\/p>\n
Askerli\u011fini yedek subay olarak Polatl\u0131 ve Amasya’da yapan Bar\u0131\u015f Man\u00e7o, daha sonra Kurtalan Ekspres’le Anadolu turnelerine \u00e7\u0131kt\u0131.<\/p>\n
\u0130lk y\u0131llar\u0131nda k\u0131sa sa\u00e7l\u0131 olarak sahneye \u00e7\u0131kan usta sanatkar\u0131n T\u00fcrkiye’de herkesin haf\u0131zas\u0131na kaz\u0131nan uzun sa\u00e7lar\u0131, otantik k\u0131yafetleri, bilezik, y\u00fcz\u00fck ve kemerle tasarlad\u0131\u011f\u0131 imaj\u0131 ile tiyatral yetenekleri epeyce ilgi \u00e7ekti.<\/p>\n
Bar\u0131\u015f Man\u00e7o, birinci uzun\u00e7alar\u0131 (LP) “2023”\u00fc, 1975’te \u00e7\u0131kard\u0131. “Progresif rock” esintileri ta\u015f\u0131yan alb\u00fcmde Cumhuriyet’in 100. y\u0131l\u0131 an\u0131s\u0131na besteledi\u011fi enstr\u00fcmantal m\u00fczi\u011fi “2023”\u00fcn yan\u0131 s\u0131ra “Yine Yol G\u00f6r\u00fcnd\u00fc Gurbete” ve “Yol Verin A\u011falar Beyler” \u00fczere m\u00fczikler be\u011feni toplad\u0131.<\/p>\n
Yurt d\u0131\u015f\u0131nda da ba\u015far\u0131l\u0131 olmay\u0131 hedefleyen Man\u00e7o, Bel\u00e7ika’ya gitti ve 1976’da “Baris Mancho” isimli birinci \u0130ngilizce kelaml\u0131 alb\u00fcm\u00fcn\u00fc yay\u0131nlad\u0131.<\/p>\n
“Yeni Bir G\u00fcn” alb\u00fcm\u00fcn\u00fc ise 1979’da m\u00fczikseverlerin be\u011fenisine sunan sanat\u00e7\u0131 “Hey” mecmuas\u0131n\u0131n, “Y\u0131l\u0131n Erkek Sanat\u00e7\u0131s\u0131” ve “Y\u0131l\u0131n Alb\u00fcm\u00fc” m\u00fckafatlar\u0131n\u0131 ald\u0131. Birebir y\u0131l \u00e7\u0131kt\u0131\u011f\u0131 Anadolu turnesinin t\u00fcm gelirlerini sa\u011f\u0131r ve dilsiz \u00e7ocuklar\u0131n e\u011fitimi ve tedavisi i\u00e7in ba\u011f\u0131\u015flayan Man\u00e7o, daha sonra Hollanda, Bel\u00e7ika, \u0130ngiltere, Almanya ve K\u0131br\u0131s’ta konserler verdi.<\/p>\n
“S\u00f6z\u00fcm Meclisten D\u0131\u015far\u0131” alb\u00fcm\u00fcyle b\u00fcy\u00fck be\u011feni toplad\u0131<\/b><\/p>\n
Bel\u00e7ika’daki konserden d\u00f6nerken 24 A\u011fustos 1979’da Edirne’de bir trafik kazas\u0131 ge\u00e7iren Man\u00e7o, bir m\u00fchlet sahnelerden uzak kald\u0131 ve 1981 y\u0131l\u0131n\u0131n sonlar\u0131na ger\u00e7ek “S\u00f6z\u00fcm Meclisten D\u0131\u015far\u0131” alb\u00fcm\u00fcyle b\u00fcy\u00fck be\u011feni toplad\u0131.<\/p>\n
“G\u00fcl Pembe”, “Ali M\u00fcellif Veli Bozar”, “Alla Beni Pulla Beni” \u00fczere hit m\u00fcziklerin yan\u0131 s\u0131ra en uygun T\u00fcrk\u00e7e kelaml\u0131 rock m\u00fcziklerinden “D\u00f6nence”yi de bar\u0131nd\u0131ran alb\u00fcm\u00fcn pek \u00e7ok m\u00fczi\u011fi, bir m\u00fchlet TRT’nin denetleme \u015furas\u0131na tak\u0131larak, televizyon ve radyoda \u00e7al\u0131namad\u0131.<\/p>\n
Halkla kurdu\u011fu ba\u011f\u0131 1983’te “Esta\u011ffurullah Ne Haddimize”, 1985’te “24 ayar”, 1986’da “Sahibinden \u0130htiya\u00e7tan” alb\u00fcmleriyle g\u00fc\u00e7lendiren Man\u00e7o, 1989’da “Dar\u0131s\u0131 Ba\u015f\u0131n\u0131za”, 1992’de “Mega Man\u00e7o”, 1995’te “M\u00fcsaadenizle \u00c7ocuklar”, 1996’da “Live in Japan” alb\u00fcmlerini sevenleriyle bulu\u015fturdu.<\/p>\n
M\u00fczikte a\u00e7t\u0131\u011f\u0131 yolun yan\u0131 s\u0131ra m\u00fczik kelamlar\u0131yla de k\u00fclt\u00fcr hayat\u0131na k\u0131ymetli katk\u0131larda bulunan Man\u00e7o, bir\u00e7ok m\u00fczi\u011finin son k\u0131tas\u0131nda, t\u0131pk\u0131 halk \u015fiiri gelene\u011finde oldu\u011fu \u00fczere kendi ismine yer verdi. “Modern \u00c7a\u011f Ozan\u0131” olarak isimlendirilen ve yap\u0131tlar\u0131nda unutulan bedelleri hat\u0131rlatan Man\u00e7o, m\u00fcziklerinde toplumsal mevzulara ve ailenin de\u011ferine de dikkati \u00e7ekti.<\/p>\n
Daha evvel k\u0131sa bir evlilik yapan Bar\u0131\u015f Man\u00e7o, 1979’da Lale \u00c7a\u011flar’la d\u00fcnya konutuna girdi ve \u00e7iftin “Do\u011fukan Hazar” ve “Bat\u0131kan Zorbey” ismini verdikleri iki o\u011fullar\u0131 oldu.<\/p>\n
“Baba Bizi Eversene” sinemas\u0131n\u0131n ba\u015frol\u00fcnde yer ald\u0131<\/b><\/p>\n
\u0130\u00e7indeki \u00e7ocu\u011fu hi\u00e7bir vakit kaybetmedi\u011fini tabir eden usta sanat\u00e7\u0131, sinema sinemas\u0131 olarak yaln\u0131zca direkt\u00f6r Oksal Pekmezo\u011flu’nun 1975’te \u00e7ekti\u011fi “Baba Bizi Eversene” sinemas\u0131n\u0131n ba\u015frol\u00fcnde yer ald\u0131.<\/p>\n
Bar\u0131\u015f Man\u00e7o, yakla\u015f\u0131k 15 y\u0131l boyunca planlad\u0131\u011f\u0131 “7’den 77’ye” program\u0131 projesini, 1988’de TRT idaresine kabul ettirmeyi ba\u015fard\u0131 ve \u00e7ocuklara \u00f6\u011f\u00fctler verdi\u011fi “Adam Olacak \u00c7ocuk”, ya\u015fl\u0131lara h\u00fcrmetin ehemmiyetine dikkati \u00e7ekti\u011fi “\u0130kinci Kahvalt\u0131”, d\u00fcnyay\u0131 dola\u015ft\u0131\u011f\u0131 “D\u00f6nence” ve T\u00fcrkiye’yi dola\u015ft\u0131\u011f\u0131 “Dere Zirve T\u00fcrkiye” \u00fczere k\u0131s\u0131mlar\u0131 olan program\u0131, TRT 1, TGRT ve ATV’de 1988-1998 y\u0131llar\u0131 ortas\u0131nda 10 y\u0131l boyunca her pazar \u00f6\u011flenden evvel yay\u0131mlanarak, g\u00fc\u00e7 bir rekora imza att\u0131.<\/p>\n
“T\u00fcrk televizyonlar\u0131n\u0131n birinci gezgini” olarak da g\u00f6sterilen Bar\u0131\u015f Man\u00e7o, 5 k\u0131tada 140 de\u011fi\u015fik y\u00f6rede 800 bin kilometreye yak\u0131n yol kat etti ve 1990’da Ertu\u011frul F\u0131rkateyni’nin Japonya’ya geli\u015finin 100. y\u0131l\u0131 hasebiyle d\u00fczenlenen “T\u00fcrk-Japon dostlu\u011fu” aktiflikleri kapsam\u0131nda gitti\u011fi Japonya’da b\u00fcy\u00fck bir co\u015fkuyla kar\u015f\u0131land\u0131. Verdi\u011fi konserlerde m\u00fcziklerinde Japonca kelamlara de yer veren Bar\u0131\u015f Man\u00e7o’ya “Min-On Vakf\u0131 Y\u00fcksek Erdem Madalyas\u0131” verildi. Man\u00e7o, buradaki konser kayd\u0131n\u0131 da “Live in Japan” ismiyle yay\u0131mlad\u0131.<\/p>\n
T\u00fcrk d\u00fcnyas\u0131 ile de \u00e7ok yeterli ba\u011flant\u0131lar geli\u015ftiren usta sanat\u00e7\u0131ya, T\u00fcrkmenistan Devlet Ba\u015fkan\u0131 Saparmurat Niyazov taraf\u0131ndan “T\u00fcrkmen vatanda\u015fl\u0131\u011f\u0131” verildi. Bel\u00e7ika ve Fransa da sanat\u00e7\u0131y\u0131 bir\u00e7ok sefer \u00f6d\u00fcllendirdi.<\/p>\n
40 y\u0131ll\u0131k sanat hayat\u0131nda 200 besteye imza att\u0131<\/b><\/p>\n
\u0130lk alb\u00fcm\u00fcne Cumhuriyet’in 100. y\u0131l\u0131n\u0131n kutlanaca\u011f\u0131 “2023” ismini veren Bar\u0131\u015f Man\u00e7o, bir r\u00f6portaj\u0131nda, “Benim birka\u00e7 hayalim var, 80 ya\u015f\u0131ndayken elimde bastonum, tahminen kolumda Do\u011fukan, onun yard\u0131m\u0131yla \u00e7\u0131kar\u0131m sahneye ve senfoni orkestras\u0131na 2023’\u00fc \u00e7ald\u0131rmak en b\u00fcy\u00fck ideallerimden birisi.” demi\u015fti.<\/p>\n
M\u00fczik hayat\u0131n\u0131 anlatt\u0131\u011f\u0131 “40. Y\u0131l” m\u00fczi\u011fini besteleyen Bar\u0131\u015f Man\u00e7o, bir periyoda damgas\u0131n\u0131 vuran m\u00fcziklerini yine d\u00fczenleyerek seslendirdi. Daha evvel de tansiyon \u0131st\u0131raplar\u0131 ya\u015fayan sanat\u00e7\u0131, 31 Ocak’\u0131 1 \u015eubat 1999’a ba\u011flayan gece, saat 23.30 s\u0131ralar\u0131nda ani tansiyon d\u00fc\u015fmesi sonucu k\u00f6t\u00fcle\u015fti. Ambulansla Siyami Ersek G\u00f6\u011f\u00fcs Kalp ve Damar Cerrahisi Merkezi’ne kald\u0131r\u0131lan 56 ya\u015f\u0131ndaki Bar\u0131\u015f Man\u00e7o, m\u00fcdahaleye kar\u015f\u0131n kurtar\u0131lamad\u0131.<\/p>\n
Sanat\u00e7\u0131n\u0131n cenazesi, Atat\u00fcrk K\u00fclt\u00fcr Merkezi’nde yap\u0131lan merasimin akabinde Levent Mescidi’nden kald\u0131r\u0131larak, Kanl\u0131ca Mezarl\u0131\u011f\u0131’na defnedildi.<\/p>\n
Yakla\u015f\u0131k 40 y\u0131ll\u0131k sanat hayat\u0131nda 200 besteye imza atan, ulusal ve milletleraras\u0131 alanda pek \u00e7ok m\u00fckafata lay\u0131k g\u00f6r\u00fclen sanatkar\u0131n \u00f6d\u00fcllerinin tamam\u0131 ise \u015f\u00f6yle:<\/p>\n
1980’de “Alt\u0131n Orfe” M\u00fckafat\u0131, 1987’de “Bel\u00e7ika K\u00fclt\u00fcr El\u00e7isi”, 1991’de “T\u00fcrkiye Cumhuriyeti Devlet Sanat\u00e7\u0131s\u0131”, “Hacettepe \u00dcniversitesi Onursal Doktora ve Japonya Soka \u00dcniversitesi K\u00fclt\u00fcr ve Bar\u0131\u015f \u00d6d\u00fcl\u00fc”, 1992’de “Bel\u00e7ika Krall\u0131\u011f\u0131 Leopold II \u015e\u00f6valyesi Ni\u015fan\u0131” ve “Frans\u0131z K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131 Edebiyat ve Sanat \u015e\u00f6valyesi Ni\u015fan\u0131”, 1994’te Kocaeli \u00dcniversitesi Bar\u0131\u015f Diplomas\u0131, 1995’te T\u00fcrkmenistan Cumhurba\u015fkanl\u0131\u011f\u0131 T\u00fcrkmen vatanda\u015fl\u0131\u011f\u0131, 1995’te Pamukkale \u00dcniversitesinden onursal doktora, 1995’te “Japonya Min-On Vakf\u0131 Y\u00fcksek Gurur Madalyas\u0131”, 1997’de “Bel\u00e7ika Liege Prensli\u011fi Onursal Hem\u015ferilik Berat\u0131”<\/p>\n","protected":false},"excerpt":{"rendered":"
Anadolu rock ve pop m\u00fczi\u011fin \u00f6nde gelen isimlerinden m\u00fczik\u00e7i, bestekar, kelam m\u00fcellifi ve TV programc\u0131s\u0131 Mehmet Bar\u0131\u015f Man\u00e7o, vefat\u0131n\u0131n 26’nci y\u0131l\u0131nda an\u0131l\u0131yor.<\/p>\n","protected":false},"author":1,"featured_media":25105,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26],"tags":[4481,4480,818,1429,163],"class_list":["post-25104","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-baris-manco","tag-manco","tag-sanatci","tag-sarki","tag-turk"],"_links":{"self":[{"href":"https:\/\/ikimisli.tr\/index.php\/wp-json\/wp\/v2\/posts\/25104","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ikimisli.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ikimisli.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ikimisli.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ikimisli.tr\/index.php\/wp-json\/wp\/v2\/comments?post=25104"}],"version-history":[{"count":1,"href":"https:\/\/ikimisli.tr\/index.php\/wp-json\/wp\/v2\/posts\/25104\/revisions"}],"predecessor-version":[{"id":25106,"href":"https:\/\/ikimisli.tr\/index.php\/wp-json\/wp\/v2\/posts\/25104\/revisions\/25106"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ikimisli.tr\/index.php\/wp-json\/wp\/v2\/media\/25105"}],"wp:attachment":[{"href":"https:\/\/ikimisli.tr\/index.php\/wp-json\/wp\/v2\/media?parent=25104"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ikimisli.tr\/index.php\/wp-json\/wp\/v2\/categories?post=25104"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ikimisli.tr\/index.php\/wp-json\/wp\/v2\/tags?post=25104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}